Reggae has evolved globally and developed many sub-genres and derivatives like Reggaeton and EDM. However, one of the first sub-genres was Dub Music arising in tandem with the innovations and growth of reggae itself in the 60s.
In Jamaica, it seems to have lost out to more popular genres that have arisen like Dancehall, with innovations more centred around the fusion of Reggae with other genres, for example, Reggae Hip-Hop, Reggae Rock and Reggae Jazz. However, Dub is being adopted by a new generation seeing it as something fresh. So, is this the long-overdue rise of Dub music?
Dub music is one of the great reggae innovations. Commonly agreed to be created by legendary Jamaican innovator and mixing engineer Osbourne Ruddock better known as 'King Tubby' in the late 60's.
King Tubby, now working for the legendary Duke Reid, would be asked to produce versions for these sound systems and toasters. The production of these versions left room for the mixing engineer to innovate with the rudimentary production effects available at the time.
Initially, the requirement was to remove the vocals but King Tubby decided to use this opportunity to experiment with the available effects delay, reverb and phase. Emphasising certain tracks and removing others. These instrumentals, in effect, became new musical works. With the drum and bass centre stage, small extracts of the vocals were often mixed in. The mixing engineer was the creative force and eventually led to mixing engineers being in as high or greater esteem than the musicians or composer.
Dub, therefore, was the founding genre for modern electronic music such as House, Techno, Jungle, Drum & Bass and Dubstep. Also, Dub innovated and developed the practice of the remix which elevated the status of the producer and engineer. Dub’s development, therefore, revolutionized the entire music production business.
Artists like Augustus Pablo, who introduced the melodica to reggae in the early '70s, started using dub as the backbone of his productions and produced groundbreaking dub albums including East of the River Nile and King Tubby’s Meets Rockers Uptown which is ranked as one of the best dub albums ever made.
The latter-day DJ who can attract thousands of fans to a gig, can now use the creativity and spontaneity of a live studio remix because now the DJs create their own music and have the master stems or a remix equivalent to the sound system operators using EQ, faders and effects on an already mixed track.
Today, technology has made a big difference in music production and this has also impacted the nature of sound system culture. With the global demand and nature of music listening, sound systems now had the opportunity to exploit their brands.
However, it is not practicable to be moving your sound system hardware all over the world. This has led to sound system owners and promoters to go down another path. This is to take the brand and music to the people in the form of a DJ Set on the hardware of another sound system.
This has enabled Reggae DJs, sound systems and producers to expand their reach in a similar way to the music makers of EDM. This has allowed Dub music to reach a wider audience and create followings that would have been much more difficult to attain otherwise.
The latter-day DJ who can attract thousands of fans to a show can now use the creativity and spontaneity of a live studio remix because now the DJs create their own music and have the master stems. Alternatively, create a remix equivalent to the sound system operators using EQ, faders and effects on an already mixed track.
Legendary UK producers Mafia & Fluxy have noticed this new demand for Dub music. According to Leroy Mafia
"There is definitely a demand in Europe, especially with the younger generation. Dub is new to them and there is a lot of demand for uptempo dub music"
Related post: Mafia & Fluxy Remember King Tubby
Mafia & Fluxy Sound (credit Lucos photography)
Greenlight Sound (credit rototomsunsplash.com)
I was there for the 2018 edition being its third year on day three of the festival. It seemed very well organized, which was to be expected, as the organizers included the Rototom Sunsplash festival team. It was a three-day event which included sound systems from Europe, UK and Jamaica. including Jah Shaka, Channel One, GreenLight, Mafia & Fluxy Sound and Blackboard Jungle to name a few.
International Dub Gathering, Alicante, Spain